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Russian Types & Scenes ~ published 1st October 2014

Wednesday, October 1st, 2014

Preface

‘My chief hope for this book is that it may help to make others think of Russia, not as an abstraction, not as a unit, but as a very large number of very interesting human beings, most of them lovable.’ – In a Russian Village Charles Roden Buxton, Labour Publishing Company, London 1922

Russian Types & Scenes is a companion volume to Wooden Churches – Travelling in the Russian North. Photographing the churches was exciting and exhilarating but it was also frustrating. My camera was attached to a tripod. I faithfully gave my attention to the tripod and its camera, adjusting the position, the level, the height, the framing, the focus, the shutter speed and the aperture while brushing away snow, rain and mosquitoes from the lens. I knew that if I was to move away for a moment the sun would burst through the clouds; a dog, a cow, a horse or a wonderfully exotic Russian would hove into frame. Meanwhile all around me extraordinary everyday things were happening…

I did take some photographs away from the tripod but our schedule was tight and there was little time to loiter – a prerequisite for reportage photography. The majority of the photographs in this book have been taken since the publication of Wooden Churches. I’ve continued to travel to the Russian North with friends, journalists, restorers, students and ﬁlm makers.

On most of these trips I’ve left my tripod at home or at best kept it deep in my luggage, to be called upon to photograph a church I haven’t photographed before. I now travel with a light handheld camera. The schedules have been slightly less demanding, although no less adventurous, but more importantly with less to carry and to take care of, there has been more time and energy to loiter.

Russian Types was the generic title the St Petersburg photographer William Carrick (1827-78) gave to the photographs he took of tradespeople, peasants, priests and ofﬁcials in his studio and later to the scenes of Russian life taken in the ‘ﬁeld’. This genre became very popular and was taken up by many photographers, artists and postcard publishers well into the 20th century.

A story from Solzhenitsyn explaining the shortcomings of colour photography follows in lieu of an introduction.

Richard Davies, London, June 2014

Along side the photographs there are texts by the Moscow architectural historian Alexander Mozhaev, together with the insights of writers, artists, and poets.

The ﬁrst bread!

Tell me, who of you has never enjoyed eating a slice of bread from the new harvest?

How nicely it smells. It’s a smell of the sun, of fresh straw, and most importantly, of the combine driver’s hands soaked in kerosene.

Five Romances on Words from Krokodil Magazine, № 24, August 30th, 1965, opus 121 Dmitri Shostakovitch (1906-1975) ﬁrst performed Leningrad, 28th May 1966

It’s hard to say something about Pushkin to a person who doesn’t know anything about him. Pushkin is a great poet. Napoleon is not as great as Pushkin. Bismark compared to Pushkin is a nobody. And the Alexanders, First, Second and Third, are just little kids compared to Pushkin. In fact, compared to Pushkin, all people are little kids, except Gogol. Compared to him, Pushkin is a little kid…

Today I Wrote Nothing ~ The Selected Writings of Daniil Kharms (1905-1942), translated by Eugene Ostashevsky, Ardis, New York 2009

Posted in amazon.co.uk, Book, Travel | 2 Comments »

3.8 tons of books arrive in London

Tuesday, January 17th, 2012

Travelling in the Russian North

Richard Davies ~ Matilda Moreton

“80% of Russian wooden architecture that existed pre-1917, no longer exists. But luckily, there is still something left to fight for.” Professor Vyacheslav Petrovich Orfinsky, Architecture Department, Petrozavodsk State University, August 2008

The photographs in this book have been taken over

a period of nine years. These churches are the remnants of thousands that were built all over Russia from the time of Prince Vladimir, who, on his conversion to Christianity in 988, ‘ordained that wooden churches should be built and established where pagan idols had previously stood.’

Most of those that survive are to be found in the sparsely populated north-western corner of Russia – specically,

in the Leningrad, Vologda, Murmansk, and Archangel Regions and the Republic of Karelia. The area is vast and many thousands of miles have been travelled by car, jeep, aeroplane, boat, train, snowmobile, sledge and foot to track them down.

These fragile, desecrated structures retain a spiritual presence that commands respect even in the absence of their gilded icons. They are nearing the end of their days. It is extraordinary that a country as rich and powerful as Russia, with a cultural legacy beyond compare, should let these wonderful, life-enhancing treasures slip through its ngers.

Along with the photographs of Richard Davies, there are rst-hand accounts by Matilda Moreton of their journeys, and the insights and interpretations of writers and artists, travellers and historians, propagandists and politicians.

“Wooden architecture, the most original and most unique part of the cultural heritage of Russia, is on the verge of total extinction.”

Mikhail Milchik, St Petersburg, October 2011

Wooden Churches – Travelling in the Russian North

Richard Davies, Matilda Moreton, afterword by Mikhail Milchik

“80% of Russian wooden architecture that existed pre-1917, no longer exists. But luckily, there is still something left to fight for.”

Professor Vyacheslav Petrovich Orfinsky, Architecture Department, Petrozavodsk State University, August 2008

The photographs in this book have been taken over a period of nine years. These churches are the remnants of thousands that were built all over Russia from the time of Prince Vladimir, who, on his conversion to Christianity in 988, ‘ordained that wooden churches should be built and established where pagan idols had previously stood.’

Most of those that survive are to be found in the sparsely populated north-western corner of Russia – specifically, in the Leningrad, Vologda, Murmansk, and Archangel Regions and the Republic of Karelia. The area is vast and many thousands of miles have been travelled by car, jeep, aeroplane, boat, train, snowmobile, sledge and foot to track them down.

Along with the photographs of Richard Davies, there are first-hand accounts by Matilda Moreton of their journeys, and the insights and interpretations of writers and artists, travellers and historians, propagandists and politicians.

“Wooden architecture, the most original and most unique part of the cultural heritage of Russia, is on the verge of total extinction.”

Mikhail Milchik, St Petersburg, October 2011

White Sea Publishing, London, December 2011
(Hardcover 256 pages / dimensions 260 x 305 mm)
ISBN 978 0 9570456 0 6

The book is available at amazon.co.uk from the seller white sea – the book is stocked by Daunt Books at their Marylebone, Chelsea, Hampstead and Holland Park branches. It is also held at Waterstones, at their Piccadilly branch and at Pushkin House, 5A Bloomsbury Square, London WC1A 2TA